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    • Artist Talks & Lectures
    • workshops
    • Artistic Practice
    • Works
    • Contact Aishling Muller | Commissions, Collaborations & Enquiries
    • Practice Biography
    • EOS
    • Ephemeral Ice / Eternal Water
    • Chapter 5 | The long return updated
    • Cultural & Community Practice
    • Engagement | Exchange
    • Schools & Creative Learning
    • Mentorship | Artist Development
    • RiMo | Physical Theatre Performance
    • Trinity | Moving Image & Performance Work
    • Chapter One The path of Least resistance
    • Fieldwork, Environmental Photography & Landscape Research
    • Ancient Matter / Present Form
  • Artist Talks & Lectures
  • workshops
  • Artistic Practice
  • Works
  • Contact Aishling Muller | Commissions, Collaborations & Enquiries
  • Practice Biography
  • EOS
  • Ephemeral Ice / Eternal Water
  • Chapter 5 | The long return updated
  • Cultural & Community Practice
  • Engagement | Exchange
  • Schools & Creative Learning
  • Mentorship | Artist Development
  • RiMo | Physical Theatre Performance
  • Trinity | Moving Image & Performance Work
  • Chapter One The path of Least resistance
  • Fieldwork, Environmental Photography & Landscape Research
  • Ancient Matter / Present Form

RiMo

2014 | Devised Physical Theatre Performance


“Eventually you realize that sometimes to unpack, in reality, you have to pack — or repack may be a better description. Take stock of your belongings there, take only what you need. Some items will have served their purpose; think of them fondly, but discard them, for you’ve new things to gather on your way.”  - Artist’s journal, March 2014


RiMo was a devised physical theatre performance exploring creativity, uncertainty and personal transformation through movement, spoken text and visual metaphor.


Developed and performed between April and May 2014 as part of the Hilltown Studio Theatre Performance Arts Training Programme, the work was supported through LEADER funding and presented at Hilltown Perform Festival on 25 May 2014.


Performed by Aishling Muller and Vickie Branigan

Documentation: El Putnam

Developed with guidance from El Putnam and David Stalling






What role can creativity play in helping us navigate change?



Locks, chains, keys and two contrasting black and white figures formed the symbolic language of the performance. Through repeated physical actions, restraint and release were enacted through the body rather than explained through narrative.


RiMo marked the first appearance of symbolic figures that would later recur throughout Muller’s practice, carrying questions of identity, duality, perception and transformation.


One action became particularly significant in retrospect: while the black figure worked through acts of release, the white figure quietly collected the discarded locks.


What initially functioned as an intuitive performative gesture would later suggest a recurring aspect of the wider practice - the gathering of symbolic material before its meaning is consciously understood.



The performance was partly informed by a recurring dream in which a monk instructed the artist:


“Unlock RiMo and you will unlock everything.”


The title also drew on the artist’s encounter with RiMo, understood at the time through a Tibetan story concerning a fleeting encounter with beauty becoming the catalyst for artistic creation.



Seen from the perspective of the later practice, RiMo represents an early stage in the development of a visual and embodied symbolic language: one through which material that could not yet be articulated directly was given form through character, object, movement and image.


Performance documentation and archival material available on request.


The magic of expression free,

something which we all should see,

to guide us through our darkest night,

return us to our place of light.



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Aishling Muller | Irish visual artist working across photography, moving image, installation, sound, fieldwork, and public engagement.


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